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ВОСЕМЬ С ПОЛОВИНОЙ СУВЕНИРОВ |
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Дискография |
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Happy Feet 1995 inprint Time 47:28 1. Happy Feet (Conte) - 3:07 2. Kazango (Eight and a Half Souvenirs/Two Souvenirs) - 3:30 3. Le Poinзonneur des Lilas (Gainsbourg) - 2:56 4. After You've Gone (Creamer/Layton) - 4:13 5. Douce Ambiance (Reinhardt) - 3:44 6. Blues en Mineur (Reinhardt) - 4:36 7. No Lo Visto (Eight and a Half Souvenirs/Two Souvenirs) - 3:58 8. Place de Brouckиre (Reinhardt) - 3:16 9. Black Trombone (Gainsbourg) - 3:53 10. Mozzarella Rag (Eight and a Half Souvenirs/Two Souvenirs) - 3:36 11. Minor Swing (Reinhardt) - 3:24 12. Come Di (Conte) - 5:04 13. Y la Chalupa Va (Eight and a Half Souvenirs/Two Souvenirs) - 2:11 |
Souvonica 1997 Time 34:44 1. Off White (Eight and a Half Souvenirs) - 2:53 2. Cognac (Eight and a Half Souvenirs) - 3:29 3. Souvonica (Eight and a Half Souvenirs) - 2:43 4. Tango Lunatico (Eight and a Half Souvenirs) - 3:30 5. Paris (Eight and a Half Souvenirs/Padilla/Rota) - 3:04 6. Absentee Rag (Eight and a Half Souvenirs) - 2:52 7. Pass' Temps (Eight and a Half Souvenirs) - 3:58 8. Chez Yvette (Eight and a Half Souvenirs) - 2:45 9. Amarcord (Rota) - 3:21 10. Shut the Door (Eight and a Half Souvenirs/Hazzard) - 2:37 11. Serpent Charmer (Carrara) - 3:32 |
Twisted Desire 1999 inprint Time 43:46 1. Sharp Dressed Man (Brooking/Vaughn) - 3:38 2. L'Amour Toujours (Bell/Giraud) - 4:56 3. Twisted Desire (Wood) - 4:15 4. Eva Luna (Darbyshire) - 3:44 5. Dancin' (Conte/Giraud) - 4:15 6. Lonely in Love (Hyatt) - 3:07 7. Life Style (Bell/Giraud) - 3:02 8. My Baby (Giraud) - 4:04 9. The Rhythm Is Magic (Darbyshire/DUbaldo/Musker) - 3:31 10. Under Your Skin (Bell/Giraud) - 3:44 11. Spider Lady (Giraud) - 2:05 12. Yes, Yes, Yes (Bell/Giraud) - 3:25 |
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AMG EXPERT REVIEW: Since it begins with a seemingly ironic reading of ZZ Top's "Sharp Dressed Man, " it would be easy to dismiss 8 1/2 Souvenirs' third album Twisted Desire as another tongue-in-cheek Gen-X retro-swing folly. That may be the knee-jerk reaction, but it's an unfair one, because the rest of the album reveals that the band is far more sophisticated, suave and seductive than most of their peers. No small credit goes to Chrysta Bell, the lead singer whose rich voice brings style and grace to every song, even that misdirected cover that begins the album. Then again, songwriter Olivier Giraud shares equal credit with Bell for being able to write clever, engaging songs, and the entire band shows good taste in picking outside material, such as Walter Hyatt's "Lonely in Love, " as well. The end result is a surprisingly enjoyable record that shouldn't be lumped in with the smarmy schtick that usually passes for retro-swing. — Stephen Thomas Erlewine |
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2003 |
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